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  • Re: Pulldown

    G'day Craig and others interested,

    This is very interesting - I always suspected something funny was going on,
    but never suspected the temporal distortion was so bad! This page explains
    it nicely:
    http://www.zerocut.com/tech/pulldown.html

    I used to work with QuickTime, and I think I'm right in thinking that it
    doesn't have these problems?

    Chris

    Dr. Chris Kirtley MB ChB, PhD
    608 Dockside
    44 Ferry St.
    Kangaroo Point
    Queensland 4169
    Australia (GMT+10)
    Tel. 61+7-3891 6644 x 1608
    Fax 3891 6900

    Clinical Gait Analysis: http://www.univie.ac.at/cga
    Book:
    http://www.amazon.co.uk/exec/obidos/ASIN/0443100098/203-6674734-4427132


    On Sat, Aug 9, 2008 at 2:35 AM, Craig Angle wrote:

    > Does anybody have any advice on pull down. Some of the new camcorders have
    > pull down rates (see definitions below from websites). Can I assume that if
    > I purchase a new camera and don't film in cinematic mode (read below) and
    > the camera says it is capturing at 29.97 fps, that my velocity data is
    > reliable? Normally we use more scientific cameras but with an up coming
    > project we have to purchase 10 simple to use cameras on a 3000 dollar
    > budget. So I am not familiar with the reliability of the low end everyday
    > camcorder (JVC GR250, Cannon ZR830, and Panasonic PV GS59).
    >
    > When in the Cinematic Effect mode, the Sony camcorder brings video in at 30
    > progressive frames per second. To get the film-like effects, the Sony
    > DCR-PC350 drops every fifth frame. The camcorder then uses what's called a
    > 2:3:3:2 pull down to convert the now-24p video into a signal that can be
    > recorded onto a normal Mini DV tape. The Panasonic AG-DVX100 uses the same
    > 2:3:3:2 pull down; however, the Panasonic is working with true 24p video,
    > whereas the Sony is using 30 frames-per-second video with every fifth frame
    > thrown out.
    >
    > *Other definitions of pull down:
    > Pulldown *­ introducing a pulldown is the process which compensates for the
    > differences in frame rates between film and video by creating new frames.
    > For 24 fps film to be converted to 30 fps NTSC video, a 3/2 pulldown is used
    > which creates an extra 6 frames per second.
    >
    > *3:2 Pulldown* The technique used to convert 24 frames per second film to
    > 30 frames per second video. Every other film frame is held for 3 video
    > fields, resulting in a sequence of 3 fields, 2 fields, 3 fields, 2 fields,
    > etc.
    >
    > *3:2 Pulldown* – Movies are filmed at twenty-four frames per second (fps).
    > Televisions operate at thirty frames per second. If we simply show the movie
    > at 30fps it will appear to go too fast – the "Keystone Cop" effect. The "3:2
    > pulldown," method repeats selected movie frames a second time to display the
    > 24fps movie on the 30fps television at the right speed
    >
    > Thanks,
    >
    >
    > --
    > Craig Angle M.Ed, M.Ed, ATC, CSCS
    > Research Associate II
    > Veterinary Sports Medicine Program (www.vetmed.auburn.edu/sportsmed)
    > Auburn University, College of Veterinary Medicine
    > Doctoral Candidate, Biomechanics Program
    > Department of Kinesiology, Auburn University
    >
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